Commencing with a love-sick cry to the stars in Monteverdi’s madrigal Sfogava con stelle, this collaborative program between new music Ensemble Ipse and early music group Repast Baroque explores themes of novelty and innovation spanning from the 16th-century philosophy of music of the spheres to Science Fiction and technology of our modern age alongside new works by Molly Herron, Judith Berkson, Joseph Di Ponio, Stephanie Griffin, and Max Duykers.

Commencing with a love-sick cry to the stars in Monteverdi’s madrigal Sfogava con stelle, this collaborative program between new music Ensemble Ipse and early music group Repast Baroque explores themes of novelty and innovation spanning from the 16th-century philosophy of music of the spheres to Science Fiction and technology of our modern age alongside new works by Molly Herron, Judith Berkson, Joseph Di Ponio, Stephanie Griffin, and Max Duykers.

Profiling two English folk heroes, King Arthur and Robin Hood, Repast is joined by the  chivalrous bass-baritone Paul Max Tipton. Legendary King Arthur and his circle of gallant knights hold court with Dibdin’s The institution of the Garter, or Arthur's Round Table restored (1745) and Purcell’s King Arthur (1691). Robin Hood, a rebel hero of broadside ballads and Shield’s comic opera Robin Hood (1784), comes through as the people’s champion.

Profiling two English folk heroes, King Arthur and Robin Hood, Repast is joined by the  chivalrous bass-baritone Paul Max Tipton. Legendary King Arthur and his circle of gallant knights hold court with Dibdin’s The institution of the Garter, or Arthur's Round Table restored (1745) and Purcell’s King Arthur (1691). Robin Hood, a rebel hero of broadside ballads and Shield’s comic opera Robin Hood (1784), comes through as the people’s champion.

Profiling two English folk heroes, King Arthur and Robin Hood, Repast is joined by the  chivalrous bass-baritone Paul Max Tipton. Legendary King Arthur and his circle of gallant knights hold court with Dibdin’s The institution of the Garter, or Arthur's Round Table restored (1745) and Purcell’s King Arthur (1691). Robin Hood, a rebel hero of broadside ballads and Shield’s comic opera Robin Hood (1784), comes through as the people’s champion.

Repast creates a new live score for the film The Iron Mask (1929), based on Alexandre Dumas’s The Vicomte of Bragelonne: Ten Years Later. The final chapter in the D’artangian trilogy, the film follows the Three Musketeers as they return from retirement to save Louis XIV from his illegitimate twin who attempts to usurp the French throne. Music by Lully, Jacquet de La Guerre, Marais, Charpentier,  Couperin, Praetorius, DuCaurroy, Boesset, and Caroubel.

Repast creates a new live score for the film The Iron Mask (1929), based on Alexandre Dumas’s The Vicomte of Bragelonne: Ten Years Later. The final chapter in the D’artangian trilogy, the film follows the Three Musketeers as they return from retirement to save Louis XIV from his illegitimate twin who attempts to usurp the French throne. Music by Lully, Jacquet de La Guerre, Marais, Charpentier,  Couperin, Praetorius, DuCaurroy, Boesset, and Caroubel.

Repast creates a new live score for the film The Iron Mask (1929), based on Alexandre Dumas’s The Vicomte of Bragelonne: Ten Years Later. The final chapter in the D’artangian trilogy, the film follows the Three Musketeers as they return from retirement to save Louis XIV from his illegitimate twin who attempts to usurp the French throne. Music by Lully, Jacquet de La Guerre, Marais, Charpentier,  Couperin, Praetorius, DuCaurroy, Boesset, and Caroubel.