Repast creates a new live score for the film The Iron Mask (1929), based on Alexandre Dumas’s The Vicomte of Bragelonne: Ten Years Later. The final chapter in the D’artagnan trilogy, the film follows the Three Musketeers as they return from retirement to save Louis XIV from his illegitimate twin who attempts to usurp the French throne. Music by Lully, Jacquet de La Guerre, Marais, Charpentier,  Couperin, Praetorius, DuCaurroy, Boesset, and Caroubel.

Repast creates a new live score for the film The Iron Mask (1929), based on Alexandre Dumas’s The Vicomte of Bragelonne: Ten Years Later. The final chapter in the D’artagnan trilogy, the film follows the Three Musketeers as they return from retirement to save Louis XIV from his illegitimate twin who attempts to usurp the French throne. Music by Lully, Jacquet de La Guerre, Marais, Charpentier,  Couperin, Praetorius, DuCaurroy, Boesset, and Caroubel.

Repast creates a new live score for the film The Iron Mask (1929), based on Alexandre Dumas’s The Vicomte of Bragelonne: Ten Years Later. The final chapter in the D’artagnan trilogy, the film follows the Three Musketeers as they return from retirement to save Louis XIV from his illegitimate twin who attempts to usurp the French throne. Music by Lully, Jacquet de La Guerre, Marais, Charpentier,  Couperin, Praetorius, DuCaurroy, Boesset, and Caroubel.

Profiling two English folk heroes, King Arthur and Robin Hood, Repast is joined by the  chivalrous bass-baritone Paul Max Tipton. Legendary King Arthur and his circle of gallant knights hold court with Dibdin’s The institution of the Garter, or Arthur's Round Table restored (1745) and Purcell’s King Arthur (1691). Robin Hood, a rebel hero of broadside ballads and Shield’s comic opera Robin Hood (1784), comes through as the people’s champion.

Profiling two English folk heroes, King Arthur and Robin Hood, Repast is joined by the  chivalrous bass-baritone Paul Max Tipton. Legendary King Arthur and his circle of gallant knights hold court with Dibdin’s The institution of the Garter, or Arthur's Round Table restored (1745) and Purcell’s King Arthur (1691). Robin Hood, a rebel hero of broadside ballads and Shield’s comic opera Robin Hood (1784), comes through as the people’s champion.

Profiling two English folk heroes, King Arthur and Robin Hood, Repast is joined by the  chivalrous bass-baritone Paul Max Tipton. Legendary King Arthur and his circle of gallant knights hold court with Dibdin’s The institution of the Garter, or Arthur's Round Table restored (1745) and Purcell’s King Arthur (1691). Robin Hood, a rebel hero of broadside ballads and Shield’s comic opera Robin Hood (1784), comes through as the people’s champion.

Commencing with a love-sick cry to the stars in Monteverdi’s madrigal Sfogava con stelle, this collaborative program between new music Ensemble Ipse and early music group Repast Baroque explores themes of novelty and innovation spanning from the 16th-century philosophy of music of the spheres to Science Fiction and technology of our modern age alongside new works by Molly Herron, Judith Berkson, Joseph Di Ponio, Stephanie Griffin, and Max Duykers.

Commencing with a love-sick cry to the stars in Monteverdi’s madrigal Sfogava con stelle, this collaborative program between new music Ensemble Ipse and early music group Repast Baroque explores themes of novelty and innovation spanning from the 16th-century philosophy of music of the spheres to Science Fiction and technology of our modern age alongside new works by Molly Herron, Judith Berkson, Joseph Di Ponio, Stephanie Griffin, and Max Duykers.

Fairy tales, myths, and legends provide inspiration for musical retellings based on oral traditions. Joined by narrator Erin Hall, Repast recounts stories from English folklore, Greek mythology, Irish seanchaí, Ethiopian oduu durii, and French opéra féerie told through music from the 17th and 18th centuries by Bach, Bernier, Mascitti, Arne, Lampe, and Riddell. 

Fairy tales, myths, and legends provide inspiration for musical retellings based on oral traditions. Joined by narrator Erin Hall, Repast recounts stories from English folklore, Greek mythology, Irish seanchaí, Ethiopian oduu durii, and French opéra féerie told through music from the 17th and 18th centuries by Bach, Bernier, Mascitti, Arne, Lampe, and Riddell. 

Fairy tales, myths, and legends provide inspiration for musical retellings based on oral traditions. Joined by narrator Erin Hall, Repast recounts stories from English folklore, Greek mythology, Irish seanchaí, Ethiopian oduu durii, and French opéra féerie told through music from the 17th and 18th centuries by Bach, Bernier, Mascitti, Arne, Lampe, and Riddell. 

Soprano Margot Rood, violinist Rebecca Nelson, and theorbist Adam Cockerham join Repast for the closing concert of our season, which embraces love, loss, and remembrance with stunning works by Henry Purcell, Isabella Leonarda, Barbara Strozzi, Marieta Prioli, and Diego Ortiz.

Soprano Margot Rood, violinist Rebecca Nelson, and theorbist Adam Cockerham join Repast for the closing concert of our season, which embraces love, loss, and remembrance with stunning works by Henry Purcell, Isabella Leonarda, Barbara Strozzi, Marieta Prioli, and Diego Ortiz.

Soprano Margot Rood, violinist Rebecca Nelson, and theorbist Adam Cockerham join Repast for the closing concert of our season, which embraces love, loss, and remembrance with stunning works by Henry Purcell, Isabella Leonarda, Barbara Strozzi, Marieta Prioli, and Diego Ortiz.

Beware the Ides of March! Repast curates the story of Julius Caesar through the instrumental music of George Frideric Handel and silent films produced during New York City’s maverick movie scene (1908-1910). Guest artist Gaia Saetermoe-Howard joins Repast on oboe and recorder for an unforgettable pairing of music and New York film history. 

Beware the Ides of March! Repast curates the story of Julius Caesar through the instrumental music of George Frideric Handel and silent films produced during New York City’s maverick movie scene (1908-1910). Guest artist Gaia Saetermoe-Howard joins Repast on oboe and recorder for an unforgettable pairing of music and New York film history. 

Beware the Ides of March! Repast curates the story of Julius Caesar through the instrumental music of George Frideric Handel and silent films produced during New York City’s maverick movie scene (1908-1910). Guest artist Gaia Saetermoe-Howard joins Repast on oboe and recorder for an unforgettable pairing of music and New York film history. 

Join Repast for Saint Cecilia’s Day as we celebrate the patron saint of musicians, poets, composers, and instrument builders. With acclaimed soprano Sonya Headlam and violinists Carmen Lavada Johnson-Pájaro and Ravenna Lipchik, Repast presents a pastiche ode in honor of Saint Ceclia, including music by Purcell, Handel, Festing, and Eccles.

Join Repast for Saint Cecilia’s Day as we celebrate the patron saint of musicians, poets, composers, and instrument builders. With acclaimed soprano Sonya Headlam and violinists Carmen Lavada Johnson-Pájaro and Ravenna Lipchik, Repast presents a pastiche ode in honor of Saint Ceclia, including music by Purcell, Handel, Festing, and Eccles.

Our season opens with Harvest Festival, a program honoring the harvest with music depicting rustic life. Aisslinn Nosky (violin) and Kevin Devine (hurdy-gurdy) join Repast for vibrant works of the French baroque, including Nicolas Chédeville’s arrangement of “Fall” from Vivaldi’s The Four Seasons. 

Our season opens with Harvest Festival, a program honoring the harvest with music depicting rustic life. Aisslinn Nosky (violin) and Kevin Devine (hurdy-gurdy) join Repast for vibrant works of the French baroque, including Nicolas Chédeville’s arrangement of “Fall” from Vivaldi’s The Four Seasons. 

Embark on a musical journey on the high seas as Repast performs a program of English songs and sea shanties.

Embark on a musical journey on the high seas as Repast performs a program of English songs and sea shanties.

Experience the breadth and variety of works by Telemann, who was regarded by many of his contemporaries as the finest composer of his time.

Experience the breadth and variety of works by Telemann, who was regarded by many of his contemporaries as the finest composer of his time.

Join Repast for an avian affair of music and poetry inspired by birds and birdwatching.

Join Repast for an avian affair of music and poetry inspired by birds and birdwatching.

Ready your dance card and join Repast for an evening of fiddling and dance music inspired by John Playford’s influential manual The Dancing Master.

Ready your dance card and join Repast for an evening of fiddling and dance music inspired by John Playford’s influential manual The Dancing Master.